Updated for 2026

Cinematographer
Resume Example

A focused resume format for cinematographers and directors of photography. Prove your visual storytelling through gear expertise, collaboration, and delivery.

ATS Score
87
Excellent
Keywords · Impact · Format
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Rafael Okonkwo

Vancouver, BC  |  [email protected]  |  (604) 221-8834  |  linkedin.com/in/rafaelokonkwo
Summary

Cinematographer with 9 years of experience shooting narrative features, episodic television, and commercials. Director of photography on 10 feature films and 35+ commercial campaigns. Experienced with ARRI, RED, and Sony cinema camera systems, natural and studio lighting design, and on-set color management workflows.

Technical Skills
Camera: ARRI Alexa Mini, RED V-Raptor, Sony Venice, Anamorphic Lenses, Steadicam, Gimbal Systems
Lighting: Studio Lighting Design, Natural Light, HMI, LED Panels, Grip Equipment
Post: DaVinci Resolve, ACES Color Management, LUT Creation, On-Set Monitoring, DIT Coordination
Production: Shot Listing, Storyboarding, Location Scouting, Budget Planning, Crew Hiring
Experience
Director of Photography - Freelance / Various Productions
  • Shot 6 feature films with budgets ranging from $1.5M to $14M, collaborating with directors to develop visual language for each project
  • Led camera and lighting departments of 8 to 15 crew members across 180 total shooting days per year
  • Reduced lighting setup time by 30% through pre-visualization using shot lists and lighting diagrams, saving an average of 45 minutes per setup
  • Delivered 4 projects selected for major festivals including Sundance and Cannes, with 2 receiving cinematography nominations
Camera Operator / B-Camera DP - Paramount Television
  • Operated A and B cameras on 4 television series, shooting 60+ episodes with an average of 8 pages per day
  • Managed on-set color monitoring for 3 HDR productions, creating 25+ custom LUTs to match director vision across 500+ setups
  • Trained 4 camera assistants on Steadicam and gimbal operation, with all achieving operator-level proficiency within 12 months
  • Coordinated with VFX department on 200+ green screen setups, achieving 95% first-pass approval rate on composites
Education
B.F.A. Cinematography - American Film Institute
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Why This Resume Works

1
Gear expertise meets artistry

Listing specific camera systems and lens types alongside festival selections shows technical and creative range.

2
Efficiency is quantified

30% faster lighting setups and 95% VFX approval rates prove you save productions time and money.

3
Festival recognition validates quality

Sundance and Cannes selections are objective proof your work reaches the highest visual standards.

Section-by-Section Breakdown

Summary

Lead with total features shot, camera systems, and any festival or award recognition. Genre range helps.

Skills

Name specific camera bodies, lens formats, and color science tools. These are the keywords DPs are searched by.

Experience

Balance creative contributions (visual language, director collaboration) with operational efficiency (setup times, crew management).

Education

AFI, USC, and NYU carry weight. After significant credits, your reel and resume speak louder.

Key Skills for Cinematographer Resumes

Based on analysis of thousands of job postings, these are the most frequently required skills:

ARRI Alexa RED Camera Systems Sony Venice Anamorphic Lenses Steadicam Studio Lighting Design Natural Light DaVinci Resolve ACES Color Management LUT Creation Shot Listing Storyboarding Location Scouting DIT Coordination Gimbal Systems HDR Production

Common Mistakes on Cinematographer Resumes

  • Relying on a reel without a strong resume - Reels show your eye. Resumes show your reliability, efficiency, and scale. You need both.
  • Not listing camera systems - Productions hire DPs partly based on camera experience. ARRI, RED, and Sony should be visible.
  • Ignoring post-production knowledge - Color management, ACES, and DIT coordination are increasingly expected. Show you understand the pipeline.
  • Vague crew leadership claims - Specify department sizes, shooting days, and training outcomes to prove leadership.
  • Omitting budget context - A $1.5M indie and a $14M studio film require different approaches. Show your range.

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